Art, Music, and Humour in Theodor Mintrop’s Album for Minna

Margaret A. Rose

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Margaret A. Rose, Art, Music, and Humour in Theodor Mintrop’s Album for Minna (2023), Aisthesis Verlag, Bielefeld, ISBN: 9783849819385

Beschreibung / Abstract

his is the first book in English alone on the 19th Century German artist and friend of Robert and Clara Schumann, Theodor Mintrop (1814-1870). Although he began studying at an academy of art only at the age of 30, Mintrop was inspired at a young age by the art of Raphael (1483-1520) and was one of the favourite students of the Nazarene artist and Director of the Düsseldorf Academy of Art, Wilhelm von Schadow (1788-1862), who depicts him in the novella Der moderne Vasari of 1854 as the ideal artist “Theodor”. Because both the real and the fictional Theodor were discovered by another of Schadow’s students while he was working on his family’s farm, he was also dubbed the “rural Raphael”. While many of his paintings and sketches reflect the style and beauty of Raphael’s works, Theodor Mintrop also drew numerous sketches, in which the works of Raphael and other artists are interwoven with contemporary scenes, poetry, and musical references in humorous ways. It is above all in his sketches for his friends and relatives that Mintrop’s comic artistic in-jokes are to be found, and this is certainly the case with this rediscovered album of 72 pages of sketches for the amateur pianist Minna Bozi of 1855-1857. Theodor Mintrop’s album of sketches for Minna is reproduced here in full and in colour with thanks to the Landesarchiv Nordrhein-Westfalen Abteilung Ostwestfalen-Lippe, Detmold and with notes on both the art and music referred to in them. Explanations of its sketches (based on those published in the German-language editions of the album of 2003 and 2020) show Mintrop to be both a rural and a comic Raphael, for whom the imitation and reinvention of another work could be a homage as well as a humorous modernisation.

Beschreibung

Margaret A. Rose, geboren 1947 in Melbourne/Australien, lebt heute in Cambridge/England. Nach ihrer Promotion 1973 (Die Parodie: Eine Funktion der biblischen Sprache in Heines Lyrik) hat sie 1979 ihre wichtige Analyse Parody//Meta-Fiction vorgelegt, der weitere Buchveröffentlichungen folgten. Im Aisthesis Verlag sind erschienen: Theodor Mintrops Briefe an Anna Rose (1857-1869) (2014), Theodor Mintrop. Das Album für Minna (1855-1857) nebst anderen neuentdeckten Materialien (2003), Parodie, Intertextualität, Interbildlichkeit (2006), Flaneurs & Idlers. Louis Huart “Physiologie du flaneur” (1841) & Albert Smith “The Natural History of the Idler upon Town” (1848) (2007), Pictorial Irony, Parody, and Pastiche. Comic interpictoriality in the arts of the 19th and 20th centuries (2011), Theodor Mintrops komische Märchen in Bildern (1855-1866) / Theodor Mintrop's comic fairy tales in pictures (1855-1866) (2016).

Inhaltsverzeichnis

  • Frontcover
  • Title
  • Imprint
  • Table of Contents
  • Preface
  • Introduction
  • Chapter 1. Theodor Mintrop, the rural and comic Raphael
  • Chapter 2. Minna and her family
  • Chapter 3. The Album
  • 3.1. The sketch titles
  • 3.2. Interpictorial references
  • 3.3. Musical references
  • 3.4. The album’s photographs and sketches
  • Select bibliography
  • Person index
  • Acknowledgements
  • Backcover

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