Drums and Drum Ensembles along the Great Silk Road
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Xiao Mei (Hg.), Gisa Jähnichen (Hg.), Drums and Drum Ensembles along the Great Silk Road (2021), Logos Verlag, Berlin, ISBN: 9783832585044
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Beschreibung / Abstract
This volume comprises fifteen selected papers in five chapters from the 27th ICTM Colloquium on Drums and Drum Ensembles along the Great Silk Road. It testifies to how human cultures are never created in seclusion. The richness of drums and drum ensembles, including their repertoires, are also connected to long-term exchanges in military affairs, trades, and religions of various peoples.
Despite the obvious prevalence of drums among all peoples around the world, their understanding and their repertoires vary due to different contexts. The studies of music originating on the Silk Road presented in this volume pay particular attention to the multiple flows of knowledge between numerous distinctive regions in the narrower geographical and temporal scope.
Despite the obvious prevalence of drums among all peoples around the world, their understanding and their repertoires vary due to different contexts. The studies of music originating on the Silk Road presented in this volume pay particular attention to the multiple flows of knowledge between numerous distinctive regions in the narrower geographical and temporal scope.
Beschreibung
The editors of this volume, Prof. Dr. Xiao Mei and Prof. Dr. Gisa J ähnichen, are working at the Shanghai Conservatory of Music and both partook in the program committee for the event.
Inhaltsverzeichnis
- BEGINN
- Drum Playing in Yemen – Jürgen Elsner
- Speaking and Talking Drums: Marfa` and TÄsah as Means of Nonverbal Communication in the Highlands of Yemen – Ulrike Stohrer
- The Nägarit Kettledrum in Past and Present Day Ethiopia – Timkehet Teffera [ትáˆáŠáˆ…ት ተáˆáˆ«]
- Drums and Drum Ensembles in Performances of the Middle East and North Africa in Available Video Resources – Neil van der Linden
- Is the Rebgong Flat Drum a Shaman Drum? – Bernhard Kleikamp
- From †˜Guoruo†™ to the †˜Guairu Festival†™: The †˜Making of Intangible Cultural Heritage†™ of the Percussion Instruments and the Instrumentation System from the Shibi of the Aba Qiang People – Liu Guiteng [刘桂腾]
- The Praise Drum in the Context of the North Vietnamese Ca Tr๠– Gisa Jähnichen
- Research on Movable Membrane Drums in Guangxi Province and Their Functional Characteristics – Lu Song [é²æ¾]
- Frame Drum Ensembles in Muslim Balinese Culture – Mashino Ako [増野亜å]
- Study on Ceramic Hourglass Drums of Guangxi Ceramics on the Silk Road – Wu Ninghua and Zheng Lijun [å´å®åŽã€éƒ‘丽å›]
- Hierarchies in Local Drumming Practices of Sri Lanka and the Art of Sustaining Traditions – Chinthaka P. Meddegoda [චින්à¶à¶š ප්†à¶»à¶œà·“à¶à·Š මà·à¶¯à·Šà¶¯à·™à¶¯ ොඩ]
- Creating a Transcription System for Konnakol and its Virtual Transmission – Carlos Yoder
- Wind and Percussion Music during Weddings in Turpan Lukeqin – Cui Bin [崔斌]
- An Exploratory Research on the Rhythmic Characteristics of Xinjiang Uyghur Dap – Peng Yu [å½ç‘œ]
- Study of Drum Making in Late-Tang Dunhuang – Zhu Xiaofeng [朱晓峰]