Uncertain Destinies and Destinations

Audiovisual Perspectives on Migration and Religion

Diese Publikation zitieren

Marie-Therese Mäder (Hg.), Natalie Fritz (Hg.), Uncertain Destinies and Destinations (2022), Schüren Verlag, Marburg, ISBN: 9783741001598

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Beschreibung / Abstract

Media-produced images of people on the move and religion influence our conceptions of migration. These images have varied content and intent. Some provide awareness of the frequently disturbing situation of people who have lost everything, who have had to leave their homes and families and are desperately searching for new possibilities. Others exploit the traumatic topic and the fate of its subjects to entertain their audience with sensational news, which may include images of vast streams of people making their way to a safe haven in new countries. The mediatization of the phenomenon of flight introduces new pictures and perceptions into current debates about migration. It also requires that we interrogate how we view and engage such images and audiovisual documents. Ethical debates about responsibilities combine with questions about the role of religion and its functions. The present volume approaches the subject of migration and religion from an interdisciplinary perspective with a focus on audiovisual representation. The contributions consider feature films, documentaries, television reports, short films, and press photos.

Inhaltsverzeichnis

  • BEGINN
  • Table of Contents
  • Preface
  • Natalie Fritz and Marie-Therese Mäder: Uncertain Destinies and Destinations. Migration and Religion Mediated
  • A Man, a Woman, and a Baby on their Way to a Better Future
  • Responses to Science Fiction and Documentary Media
  • A Photograph that Became a Metaphor for the Human Cost of Migration
  • The Sea, the Child, and the Hope for a Better Future
  • The Contributions of this Volume
  • Bibliography
  • Filmography
  • Marjo Buitelaar: Migration and Identity. The Dialogical Self Theory Approach to Study Intersecting Identifications in a Post-Migration Context
  • Personal Identity
  • Social Identity
  • Acculturation
  • Anthropological Approaches to Cultural Identity
  • Beyond Acculturation: “Roots & Routes† and “Home & Belonging†
  • Dialogical Self Theory and Post-Migration Identity
  • Conclusion
  • Bibliography
  • Filmography
  • Trygve Wyller: The Religious-Secular Human. Epistemological Violence and the Significance of Touching Bodies – Theology in the Context of Film and Migration
  • Touching Bodies
  • Communicating Ethics through Aesthetics
  • Aesthetic Touches. Discussing with Scandinavian Creation Theology
  • Critical Elaboration of the Signifier/Signified
  • Theology and the Praxis of Touch
  • The Religious-Secular Human
  • Bibliography
  • Further Readings
  • Filmography
  • Reinhold Zwick: Atlantic Tragedies. Religion and Ethics in LA PIROGUE (THE PIROGUE), DIE FARBE DES OZEANS (COLOR OF THE OCEAN), and STYX
  • THE PIROGUE
  • DIE FARBE DES OZEANS (THE COLOR OF THE OCEAN)
  • STYX
  • Conclusion
  • Literature
  • Filmography
  • Marie-Therese Mäder and Natalie Fritz: Escape – A Series of Dramatic Events. Analysing the Ethics of Documentary Narratives
  • Bodily Presence in 4.1 MILES
  • Combining Temporal and Spatial Perspectives in MY ESCAPE
  • Audio-visual Control of Infotainment in Storming Spain†™s Razor-Wire Fence: Europe or Die
  • A Mediated Series of Dramatic Events
  • Bibliography
  • Filmography
  • Daria Pezzoli-Olgiati: Moving Images. The Representation of Religion in Migration Films
  • Performativity of Visual Media
  • Critical Insights into a Migration
  • REISE DER HOFFNUNG
  • FUOCOAMMARE
  • Religion in Moving Images
  • Bibliography
  • Filmography
  • Joachim Valentin: Reality Welcome! Migration and Refugees in Contemporary European Film and Television Comedies
  • EINE BRAUT KOMMT SELTEN ALLEIN
  • HERRGOTT FÜR ANFÄNGER
  • QU†™EST-CE QU†™ON A FAIT AU BON DIEU? (SERIAL (BAD) WEDDINGS)
  • WILLKOMMEN BEI DEN HARTMANNS (WELCOME TO GERMANY)
  • WELCOME TO NORWAY
  • Conclusion
  • Bibliography
  • Filmography
  • Charles Martig: Unfortunate Underdogs Fighting for Human Dignity. Cinematic Reconstructions of Realism and Irony in Aki Kaurismäki†™s THE OTHER SIDE OF HOPE (TOIVON TUOLLA PUOLEN)
  • Characters in Kaurismäki†™s Universe – Unfortunate Underdogs Fighting for Dignity
  • The Signature Aesthetic
  • Ironic Minimalism and “Divine Comedy†
  • Bibliography
  • Filmography
  • Walter Lesch: Camera Views on Refugees. The Ethics of Testimony and the Spectator Attitude
  • In Search of a Responsible Perspective
  • Ai Weiwei†™s Engagement with the Refugee Crisis
  • The Humanitarian Constellation
  • The Camera View
  • An Existential Metaphor: “Shipwreck with Spectator†
  • The Responsibility of the Witness and the Ethics of the Spectator
  • Bibliography
  • Filmography
  • Anna Heinzle and Marie-Therese Mäder: IRAQI ODYSSEY. An Edited Conversation with Samir
  • Structuring the Movie
  • Pictures, Photographs
  • The Role of Music
  • Family and History
  • “Heimat† (homeland)
  • Religion and Politics in IRAQI ODYSSEY
  • Back to the Main Topic: Escape/Flight
  • The outcome of the film: the website iraqiodyssey.com
  • Authors
  • List of Figures

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