Open Access

Trans* Time

Projecting Transness in European (TV) Series

Trans* Time

Produktinformationen

Herausgeber: Danae Gallo González
ISBN: 9783593446530
Verlag: Campus Frankfurt / New York
Erscheinungstermin: 2022-05-23
Erscheinungsjahr (elektronische Fassung): 2022
Auflage: 2
Seiten: 211
Format: PDF (14.14 MB)
Paket: Sozialwissenschaften 2021 [2900]

P-ISBN: 9783593513614

Hinweis: Diese Publikation ist mit einer Open Access Lizenz veröffentlicht worden.

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Danae Gallo González (Hg.), Trans* Time (2022), Campus Frankfurt / New York, 60486 Frankfurt/Main, ISBN: 9783593446530

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Beschreibung / Abstract

Trans*Time is the first international, media and comparative approach to the representation of trans* characters in series in Europe. Trans* visibility has reached a peak in recent years, so much so, that we can state that we are witnessing a primetime, or trans* time, in television and digital streaming series. This visibility has occurred concurrently with a process of social popularization and academic legitimization of the series. .Paradoxically, trans* people face ever mounting discrimination, insidious violence and fatal murder rates. Following the insight that these series generate, offer, and to a certain extent promote models of society and identification, it seems urgent to ask what may be going wrong. This book tackles this issue by closely examining the multimodal representations of trans* people in this unprecedented popular medium in France, Great Britain, Germany, Italy, Portugal, Spain and the Netherlands. creativecommons.org/licenses/by-nc-nd/4.0/

Beschreibung

Danae Gallo González, Dr. phil., ist wissenschaftliche Mitarbeiterin für hispanische und lusophone Literatur- und Kulturwissenschaft am Institut für Romanistik der Justus-Liebig-Universität Gießen.

Lizenz

Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode)

Inhaltsverzeichnis

  • BEGINN
  • Table of contents
  • Foreword - Jutta Hergenhan
  • Works Cited
  • Introduction—On Trans* TimesDanae Gallo González
  • Acknowledgments
  • Works Cited
  • Trans* Characters in French Series—An Obsolete yet Hegemonic Representation? - Karine Espineira
  • Abstract
  • 1. Popularisations of the 20th and 21st Century: Biography, Popular Press, Newsreels
  • 2. Trans* Typologies in French Fiction and Series, 1980–2018
  • 3. Obsolete and Hegemonic Model vs. Authenticity of Representations?
  • 4. Conclusions
  • Works Cited
  • A Trans* Family Affair in British Television Series—Or, the Interplay of Community, Law, and Media - Teona Micevska
  • Abstract
  • 1. Trans* Representation across British Media: An Edge State
  • 2. Trans* in British Scripted Television Series: The Tipping Point
  • 3. A Family Woman: Hit & Miss and Boy Meets Girl
  • 4. The Reparative Potential of Television
  • Works Cited
  • Hixstory Repeating? Italian Trans Televisibility through Realism, Family, Catholicism and Violence - Luca Malici
  • Abstract
  • 1. A Brief Hixtory of Italian Trans Visibility through Activism and Language
  • 2. Trans on Italian Screens
  • 3. The Purgatory of Trans Characters on Scripted Italian Television Series
  • 4. Conclusions
  • Works Cited
  • Lambs to the Slaughter—Trans* Representation in Portuguese Serial Fictionvia the Case Study of Catarinain Ouro Verde - Alice Azevedo
  • Abstract
  • 1. A Brief Chronology of Trans* in Portugal
  • 2. Medical Discourse: Of Sickness and Victims
  • 3. Portuguese TV (Non-Fiction): Oh, Poor Thing!
  • 4. Portuguese TV (Serial Fiction): Fearing Men
  • 5. Case Study: Ouro Verde
  • 6. Discussion: Towards No More Tragic Transness
  • Works Cited
  • Towards a New Scene of Enunciation? Trans* Characters in Spanish TV Series from the Transition to Angie in Cuéntame cómo pasó and Beyond - Danae Gallo González
  • Abstract
  • 1. Trans*itions and Visibility
  • 2. Gaypitalist Primacy and the Hoarding of (Certain) Visibility
  • 3. Transness Meets TV Series: A World of Contradictions
  • 4. Angie in Cuéntame: G-Rated Transness?
  • 5. Whither Transness? Towards a New Scene of Enunciation
  • Works Cited
  • Streaming Trans* in the Netherlands—The Narrative Function and Development of Trans* Masculine Characters in Anne+and Queer Amsterdam - Laura Copier
  • Abstract
  • 1. Scripts of Trans* Representation in Dutch Media
  • 2. Transitional Television
  • 3. Trans* Ambiguity in Anne+
  • 4. Trans* Front and Center: Queer Amsterdam
  • 5. Conclusion
  • Works Cited
  • Afterword—Trans* Time and the Internationalization of Trans Studies - Greta Olson
  • Works Cited
  • About the authors

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