Inhaltsverzeichnis

• BEGINN
• Self-Accompaniment in Hindustani Vocal Performance: A Study of Musical Instrument Use in Sri Lanka; Geethika Abeysekara
• From Tradition to Transformation: Trumpet Music and Intercultural Dialogues at the Guča Festival; Jelena Arnautović
• Ladies Shingari Melam: Drums, Fun and Dance as Integral Parts of Functions and Festivals in South India; Karin Bindu
• The Development of Robotic Musical Instruments in Japan: A Historical Perspective; Rinko Fujita
• Docerola, Corridos Tumbados and the New Generation of Guitarists; Ramiro Godina Valerio
• Admiring a Re-Materialized Musical Instrument: Kazakh Dombra Sculpture’s Production of Space in Public; Huang Wan
• The Fear of Losing It: Real Dancing to Unreal Music; Gisa Jähnichen
• Reviewing the Boudha Bubble: The Sounds of a Pan-heterotopia; Bernard Kleikamp
• Instruments of the State Music Ensemble of Sri Lanka and the Ambiguities of Cultural Identity; Lahiru Gimhana Komangoda
• The Challenges Faced by the Harmonium Used in Sri Lanka’s Public Musical Life; Chinthaka Prageeth Meddegoda
• The Daula in Sri Lankan Public and Its Social Functions; Nishadi Prageetha Meddegoda
• ‘No Marriages Without It’: Ancient Afro-descendant Tarimba in Costa Chica, Mexico; Carlos Ruiz Rodríguez
• Holographic Voices in the Mexican Public Space: Construction of Commu- nities and Political Corporalities in the Vocaloid Scene of Mexico City; Julio Enrique Vargas López
• Analysis on the Construction of Guzheng Learning Platform and Cultural Inheritance Assisted by Artificial Intelligence; Zhang Yu [张宇], Mao Yue [毛悦]
• Beyond Private and Public: The Continuum of Interpretations in Guqin Music; Hoh Chung Shih, Xu Yunheng